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—"Oh! about that boy, Thames Darrell. Then as she drew nearer paint showed upon her face, and a harsh purpose behind the quiet expression of her open countenance, and a sort of unreality in her splendor betrayed itself for which Ann Veronica could not recall the right word—a word, half understood, that lurked and hid in her mind, the word “meretricious. Her little white hand stole across the table. “I think, aunt,” she said, “you might trust to my self-respect to keep me out of that. Anna did not pause, but she looked over her shoulder with slightly lifted eyebrows. The affair passed at one leap from a spree to a nightmare of violence and disgust. It is for that reason that this novel begins with her there, and neither earlier nor later, for it is the history of this crisis and its consequences that this novel has to tell. I am afraid because I love you, so that the mere thought of failure hurts.

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