Ten thousand steeds appeared to be trampling aloft, charged with the work of devastation. But the besetting evil of the place, and that which drew down the severest censures of the writers above-mentioned, was that this spot,—which of all others should have been most free from such intrusion—was made a public exhibition. But kill me rather than commit this outrage. Capes looked at one and not over one, spoke to one, treated one as a visible concrete fact. When Jack came to speak of Jonathan Wild, his countenance fell.
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