"But McClintock agrees to take you both—because he's as big a fool as I am. "Where shall I fly?" exclaimed the lady, bewildered with terror. Eh bien, why did he not repeat it? What was she to say? ‘Prudence,’ she began hesitantly, pronouncing the name in the French way, ‘has said that she will help me to—to marry an Englishman. Regardless of the risk he incurred from some heavy stone dropping on his head or feet,—regardless also of the noise made by the falling rubbish, and of the imminent danger which he consequently ran of being interrupted by some of the jailers, should the sound reach their ears, he continued to pull down large masses of the wall, which he flung upon the floor of the cell. I undid his coat, and I took it from his pocket. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare.
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