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But threats and entreaties—even promises were ineffectual; and the unlucky captive, after exhausting his powers of persuasion, was compelled to give up the point. "What's that?" demanded McClintock. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance.
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