The first of these, the Press Room, a dark close chamber, near Waterman's Hall, obtained its name from an immense wooden machine kept in it, with which such prisoners as refused to plead to their indictments were pressed to death—a species of inquisitorial torture not discontinued until so lately as the early part of the reign of George the Third, when it was abolished by an express statute. This is where my character, Lucia, is coming from. He displayed none of the airy optimism of their previous talk over the downland gate. If only there had not been this single torturing thought—a mere pin-prick, but still curiously persistent.
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