"Call me Hoddy. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. I can esteem him, regard him; but, love him as he ought to be loved—that I cannot do. ’ ‘This, monsieur le major, is entirely your own affair,’ said the lady, haughty again. He had not thought to find a lady so ready of humour and willing to give him a hearing. Glad to escape from the scene of recrimination that ensued between his adopted parents, Thames seized the earliest opportunity of retiring, and took his way to a small chamber in the upper part of the house, where he and Jack were accustomed to spend most of their leisure in the amusements, or pursuits, proper to their years. He was the Napoleon of knavery, and established an uncontrolled empire over all the practitioners of crime. ‘Beg pardon, miss, but I’m told as how—’ She broke off, her eyes widening, her jaw dropping open.
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