There was a short, red-faced, resolute youth who inherited an authoritative attitude upon bacteriology from his father; a Japanese student of unassuming manners who drew beautifully and had an imperfect knowledge of English; and a dark, unwashed Scotchman with complicated spectacles, who would come every morning as a sort of volunteer supplementary demonstrator, look very closely at her work and her, tell her that her dissections were “fairish,” or “very fairish indeed,” or “high above the normal female standard,” hover as if for some outbreak of passionate gratitude and with admiring retrospects that made the facetted spectacles gleam like diamonds, return to his own place. She shrugged her shoulders. And I have seen work by his pupils myself that struck me as being—well, next door to shameful. It was John Diedermayer, who had been transformed into a young scholar with a large pair of wire-rimmed eyeglasses on.
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